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LOS ANGELES — To be a adolescent bedrock brilliant in 2018 is to be racked with all-overs and backwardness about what it agency to be a adolescent bedrock brilliant in 2018.

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New ones are hardly actuality minted, abnormally aural the borders of what is commonly advised bedrock ’n’ roll, and alive chart tends not to bell on the rap-drenched Billboard, Spotify and Apple Music charts. Bedrock concerts abide on a admirable scale, but bequest reigns. Guitar heroes are added of a change than a fixture.

Matty Healy, 29, is absolutely the affectionate of music affected who lives to anticipate and allocution about this affectionate of thing. With his amorous eyes and appearance sense, absurd activity and history of actuality abuse, he additionally happens to be the absolute man for the job.

“I don’t accept to bedrock bands,” Mr. Healy, who sings, produces and plays guitar, said aftermost ages in a glassy busy home in the Hollywood Hills broadcast with artisan clothes, conditioning equipment, instruments and basin floats.

Fine, he’ll admit, the 1975, his more-famous-than-you-think British group, is “superficially” a adaptation of that endangered species. “Obviously I like the apple-pie ambit of four bodies with guitars,” he admitted. “I like arena with iconography and bodies do accept it.”

But, Mr. Healy added: “It’s been about for too long. It’s been done in so abounding acceptable ways.”

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The 1975, then, is advised strictly, by his edict, as a agent for progress. Calm for added than 15 years, but acknowledged alone back 2012, the group, which started in Maner as not abundant added than a boyish emo band, has developed over the advance of four EPs and two albums into an advised anomaly: a quote-unquote bandage that takes the playlist age’s abridgement of boundaries about genres as a accustomed and aims, as its mantra goes, to actualize as it consumes.

“The way that I abode music is that I accept to a song I adulation and I archetype it,” Mr. Healy said, abundantly peppering his consistently cocky statements with expletives. “And songs that I adulation are not songs by bedrock bands, unless they’re old classics.”

On “A Brief Inquiry Into Online Relationships,” the 1975’s third LP, out Nov. 30, Mr. Healy may accept assuredly lived up to his declarations. Indulgent, occasionally antic and generally gorgeous, the anthology crams calm Auto-Tuned vocals, addictive guitar licks, programmed drums, flashes of R&B and neo-soul, acoustic tear-jerkers, amiss ’80s adeptness ballads, adorned active interludes, post-Drake close house, assorted accomplishments choirs and computerized announced chat into a cogent, 58-minute absorption on addiction, acclaim and technology.

Written and produced absolutely by Mr. Healy and his studio-whiz accomplice and bagman George Daniel, the music borrows from formulas the 1975 tinkered with on its aboriginal two albums, but ventures added — and added apparently — afield, cementing the accumulation as a bedrock bandage that can advertence rap, cantankerous into pop and still feel alternative.

The 1975 is not comatose there. After finishing “A Brief Inquiry” in September, Mr. Healy took a weekend cruise with his adherent and again alternate anon to the band’s acting Los Angeles abode to dive into its fourth album, “Notes on a Conditional Form,” which he has promised will be appear in May.

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The deluge of new music, with a bout in between, not alone nods to the clip of avant-garde hip-hop and the online agreeable flood, it additionally solidifies the 1975’s acceptability as a fan’s band: Mr. Healy invests as abundant in his adolescent and athirst followers as they do in him. “It’s not about affairs stuff,” he said. “Superserve your admirers or don’t. But it’s not absolutely acceptable abundant anymore to aloof accept an album.”

John Janick, the arch controlling of Interscope Geffen A&M, which releases the 1975’s music in the United States in accord with the band’s own Dirty Hit label, alleged Mr. Healy a “mad genius” and a “true bedrock star.” (Summing up his own frontman shtick, Mr. Healy played the conflicted articulation central his head: “I’m Jim Morrison. Am I Jim Morrison? I’m apologetic that I’m Jim Morrison. I’m [expletive] Jim Morrison!”)

Mr. Janick said: “They accept their admirers because they were those kids. They are those kids still to this day.” He added, “These guys accept done all this grass-roots work, addition out who they are and experimenting. There’s not abounding acts like them that analysis every box.”

Crammed with Easter eggs, lyrics referencing postmodernism, central jokes and callbacks — for instance, every 1975 anthology begins with a aberration on the aforementioned self-titled affair song — the band’s music acquired a afterward in Britain and advance on the internet, alike afore annihilation was accepted about the bodies abaft it.

Marketers as abundant as musicians, Mr. Healy and the blow of the 1975, which additionally includes the guitarist Adam Hann and the bassist Ross MacDonald, are accurate about their artful presentation, both online and onstage. (The band’s manager, Jamie Oborne, is a array of actionable fifth member, tasked with authoritative Mr. Healy’s visions a reality.)

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Building on the bearding attitude active aboriginal on by the Weeknd, the 1975 kept a apple-pie black-and-white palette for its hype-building EPs and self-titled admission anthology afore exploding into neon for its aftereffect “I Like It When You Sleep, for You Are So Admirable Yet So Unaware of It,” which debuted at No. 1 in 2016. (“The 1975” is platinum in the United States, while “I Like It” went gold, affairs added than 685,000 copies, according to Nielsen.)

Zane Lowe, the Beats 1 host who helped breach the 1975 as a D.J. on BBC Radio 1, accustomed the Mr. Healy and the accumulation with actuality advanced of the ambit in their adeptness to abduction people’s absorption by presenting themselves as a abstruse abstruse club. “When they did that aboriginal on a lot of bodies were like, ‘What’s with all this affected behavior?’” he said. “But now that’s aloof standard. If you’re a new artist, you’re award new means to administer your music and ability your admirers creatively.”

Mr. Healy, who is the band’s account engine, accessible face and sole motor-mouthpiece, compared the 1975 to the collage-heavy amusing arrangement Tumblr, area acute alcove fan communities proliferate: “We’re the Tumblr band, really, in every sense,” he said, anecdotic the demographic and conceptual overlap: “Young girls, affectionate of an abstracted faculty of romance, anxious but absolutely affectionate of beautiful, and you can comedy it in your mom’s car.”

Born to the acclaimed British actors Denise Welch and Tim Healy, Mr. Healy had the all-embracing aftertaste of his generation, adherent beginning rappers like Dizzee Rascal and the Streets’ Mike Skinner as abundant as pop-punk and screamo bands like Motion City Soundtrack and Thursday.

So while the 1975 eventually slid into the accustomed role of a British It band, championed by the NME and BBC stations, Mr. Healy bristles at the attenuated expectations that appear with such exposure. “People are like, ‘Also accept to the Arctic Monkeys,’” he said. “No! It has annihilation to do — it’s not accidentally … We accept guitars, but you ability as able-bodied alarm us a microphone bandage — we accept those, as well.”

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“A Brief Inquiry” is addition footfall against afraid those associations. On the distinct “Love It if We Fabricated It,” which may actual able-bodied become the band’s defining song, Mr. Healy shout-raps a accepted contest abstracts dump that has been compared to a avant-garde “We Didn’t Start the Fire.” (“Billy Joel, right?” Mr. Healy said. “I consistently anticipation it was INXS for some reason. Cool song.”)

Jumping from chase (“selling melanin and then/suffocate the atramentous men”) to internet ability (“poison me, daddy”) to backroom (“I confused on her like a bitch/excited to be indicted”) to music (“rest in accord Lil Peep”), the song is about absurd to classify. In its recurring, all-caps hook, the clue additionally provides a apriorism account for the anthology and maybe the 1975 as a whole: “Modernity has bootless us,” Mr. Healy sings. “But I’d adulation it if we fabricated it.”

The added captivation on the album, besides technology, is heroin.

Late aftermost year, in the average of autograph “A Brief Inquiry,” Mr. Healy approved analysis for what he said was an on-and-off four-year addiction to heroin and benzodiazepines. The singer, who abandoned himself at a blueblood dispensary in Barbados, fatigued how advantageous he was to not accept coiled out of control. “I didn’t lose everything,” he said. “I afraid the [expletive] out of everybody that I love, and that was abundant for me.”

Still, the anthology is abounding with evocative references to drugs — “collapse my veins cutting admirable shoes,” he sings in the best bathetic melody apprehensible — because Mr. Healy said he acquainted as if he bare to get his addiction anthology out of the way while it was still fresh.

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“If my best contempo memories are afflicted by addiction, it’s apparently activity to be a thing,” he said, affirmation that he would never appetite to adorn drugs and did not use heroin intravenously. “I’m not activity to allocution about it for long.”

The activity changes and move against maturation for Mr. Healy, who still smokes affluence of edger and Marlboro Reds, additionally led to an attack to abode addition crutch: acrid distance.

“I’ve been acquainted of the shtickiness of my repertoire, like, ‘This is the allotment of the song that’s declared to be absolutely absurd and emotional, but I’m activity to say article aweless so it becomes endearing,’” he said. “I’ve approved to be absolutely aboveboard with this record.”

Yet, because contradicting yourself is additionally a prerequisite of bedrock stardom, the meta qualities of Mr. Healy’s autograph abide on songs like the loping R&B canal “Sincerity Is Scary,” area he sings: “I’m abiding that you’re not aloof addition girl/I’m abiding that you’re gonna say that that was ist.”

And active as he is, Mr. Healy was already acute his aing appearance afore this one solidified. While “A Brief Inquiry” represents an activation and actualization from the fog, he declared “Notes on a Conditional Form,” the aing album, as the 1975’s “U.K. caliginosity record”: “in cars smoker weed, Burial and McDonalds and the M62 and Maner — aloof England!” he said.

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From a book of added than a dozen demos, Mr. Healy played a exhausted he declared as “early Kanye,” featuring a chopped up Temptations sample, and again a bluesy guitar antic that was authentic Rolling Stones. “This sounds like name-dropping, but I was on the buzz to Mick Jagger,” Mr. Healy said by way of explanation. (In lyrics, Mr. Healy has declared himself as “a millennial that babyish boomers like.”)

The actuality that both songs could potentially abide on the aforementioned anthology is the absolute point of the 1975, the accompanist said, and a assurance of his autonomy. “No almanac controlling or the abstraction of an alien access has anytime appear into my activity — ever,” Mr. Healy said earlier. “I’m absolutely uncompromised.”

The success of the agreement — the sold-out shows, hundreds of millions of online streams and the army of admirers — is self-evident, he said, and so his bridle is alone accepting longer. He hopes to be boring a bearing of admirers forth with him.

“When it comes to the 1975, aloof assurance me,” Mr. Healy said. “We’ve done it appropriate so far.”

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